Epic Phone!

So recently my girlfriend got me a Droid for our 7 year anniversary so I gotta tell you I am posting this from my Droid right now! Suck it iPhone!

So I was watching Attack of the Show on G4. Now I know I’ve been a critic of theirs but I really must commend them for their coverage of the oil spill in the Gulf. I’ll be looking forward to the second part of that piece later today.

Sorry I still haven’t updated like I said I would. This Droid thing may help with that.

Brief update, more to come

I’ve been meaning to write a follow up article about the FCC’s new push to regulate ISPs, Facebook’s creepy privacy policy, and an entry about movies that are batshit fucking insane, but that will have to wait for another day.

Currently, I’m searching for a full time job and trying to make some overhauls to Limit Break Radio which is making me dread sitting down at the computer. Plus, I’m trying to get back in the habit of writing, especially if I’m applying for jobs as a writer. See, I’ve started applying for positions that someone straight out of college has no business applying for: namely creative services/production director positions that include a considerable amount of commercial copy writing. Hence, needing to brush up on my writing skills.

I’ve been trying to watch some more anime that I’ve been told is worth my time. Someone recommended ‘Ergo Proxy’ which I’ve watched all of 3 episodes of. It has potential at this point, but also seems like a Hot Topic shoppers wet dream. LOST is 2 episodes from over and the most recent episode “Across the Sea” was just so awesome and features Alison Janney! I can;t wait to write about how LOST ends. Look for that soon too.

Give the new album by Kaki King a spin! She really takes a sharp dark turn with a much more rock & roll sound on her new record and I think it suites her well. Bonus points for naming a song “Hallucinations From My Poisonous German Streets”. I’m also listening to the new Minus The Bear which I am less impressed by. It doesn’t stand out against their other records, it’s just more of the crappy same. Too bad.

Anyway, look for more when I get some time.

Journey Inside the Cathode

Television. I have a love/hate relationship with the tube. I hate probably 98% of the television I have been exposed to. I could fill pages with the tripe I’ve had to watch, but who wants to read that? I don’t! I certainly don’t want to write it. So, instead I’d rather share some of my favorite TV series. I really think each of these series’ can’t be lumped into just one category or genre. Each series, in their own way, pushed television as a whole, to the next level.

Mystery Science Theater 3000

My obsession with Mystery Science Theater 3000 (MST3K) started young when my friend Matt and I would trade tapes of episodes at school and watch them over and over again. The first DVD I ever bought was a MST3K boxset. I spent a summer building quasi-replica Crow and Servo bots with my father. Everyone who has spent serious time with me has been forced to sit down and watch at least one episode.

For those unfamiliar with the show, the main character (Joel or Mike depending on which year the show was made) is trapped up in space and being forced to watch horrible movies by an evil scientist…or his mother. And Joel/Mike is accompanied by a few colorful & wise cracking robots. OK but none of that matters, because what’s important are parts where Joel/Mike watch the movie. The shows characters are silhouetted at the bottom of the TV screen while they, and the audience, watch the cheesy film. Pure magic happens when Joel/Mike & the bots start hurling comments at the movie, the comedy is just brilliant! So brilliant, in fact, that it ran for 10 seasons on 2 cable networks: Comedy Central & The Sci-Fi Channel (I refuse to accept the “Syfy” spelling).

Why it’s awesome: Everyone can enjoy Mystery Science Theater 3000! Children are fascinated by the bots and fart jokes, and parents will be delighted at the smart and witty comments made by the MST3K crew. Also, the show embodies the Midwest US. If you cut MST3K, it’d bleed Fargo.

How it changed Television: In the history of television there has never been, nor will there ever be, another show like Mystery Science Theater 3000. It proves all you need is a unique idea and some enthusiasm and a great television show can be made.

Twin Peaks

Twin Peaks was a show my roommate John and I got into in the summer of 2008. At that time I hadn’t been exposed to much of David Lynch’s work, Just Eraserhead, Blue Velvet and Lost Highway. So I was ready for some weirdness, but I wasn’t ready for was an engaging “whodunnit” with supernatural, otherworldly elements. This show heavily influenced modern serial series’ like Lost and The X-Files.

The show takes place in a small Northwestern town called Twin Peaks, where a popular girl at the local high school was found dead, wrapped in plastic alongside the river. FBI Agent Dale Cooper, played by Kyle MacLaughlin, is called in to investigate the murder and instantly links Twin Peaks’ dead girl, Laura Palmer, to a murder that happened not far away where another young girl, Teresa Banks, was killed under similar circumstances. We learn early on that there seems to be some odd ritual surrounding the murder making the audience ask “Who…or what, killed Laura Palmer”?

Why it’s awesome: Twin Peaks is odd and impossibly quirky, but it also has these incredibly cheesy dramatic scenes that seem as if they were ripped straight from 90210 or Melrose Place, both contemporaries of Twin Peaks. While many viewers write this off to being a product of the times, I think that Twin Peaks has a more tongue-and-cheek approach to this aspect of the show.

How it changed television: Twin Peaks showed TV producers that a TV show can have quirky personality and be a huge hit. Television execs and programmers have been known to underestimate the intelligence of audiences. Most “mystery” shows at that point had plot arcs that resolved themselves in one, two or maybe three episodes. Twin Peaks’ main plot arc lasts for a season and a half, a characteristic that influenced specifically Lost‘s development.

Neon Genesis: Evangelion

Generally, I dislike Japanese anime. It’s one of those things I was really really into in high school, but as an adult I found most plots to be pandering, repetitive and redundant. The shock and awe of things like Akira had worn off and as I waded into anime I was consistently led astray to series like InuYasha, Gundam Wing and DragonBall Z which probably ruined my opinion of anime. But every once in a while someone would mention Evangelion and say “oh dude, before you write off anime altogether, watch Evangelion”. So, on a whim I decided to check it out. I’m so glad I did!

Neon Genesis: Evangelion is set in 2015, 14 years after a global cataclysm that wiped out half the human population. That incident is known as “Second Impact”, and in order to prevent a “Third Impact” a para-military/super science group is formed named Nerv. Nerv has developed mans most advanced weapon: the Evangelion, a giant humanoid “robot” that only 14 year olds can pilot. The Evangelion’s purpose? To fight giant monsters known as “Angels” that are attacking our protagonists’ home Tokyo 3. This series is short, only 26 episodes, and beautifully animated. The story utilizes plot elements like non-linear story telling and examining contextual clues to decipher plot points which I feel, as a viewer, is much more engaging. The later part of the series begins to examine the characters from a psychological perspectives which reveals a host of fascinating insights to the characters and those that relate to the characters.

Why it’s awesome: The series becomes very deep and very trippy. Most people describe Eva as a “mindfuck” but really, it’s no more a “mindfuck” then any of David Lynch’s work…which is to say you should lube your ear canal and brace your brain stem. Someone told me once “Eva is the kind of series you need to watch a few times to get”, to which I scoffed. But it’s true! The basic plot is pretty easy to grasp but the questions it leaves you with are actually answered but they aren’t spelled out. They are contextual and sometimes open to interpretation. The other accusation is that it’s just weird for the sake of being weird, which I contend is not true in the slightest. Everything in the series makes sense, it’s presentation is weird, but purposeful. Whether its to convey information or to make the audience react or feel an emotion, nothing is weird just for the sake of being weird.

How it changed TV: Hell, I don’t know. I don’t live in Japan and Eva only aired once on Adult Swim. But Eva has undeniably impacted the anime genre. Paranoia Agent, Serial Experiments Lain and Paprika all have similar themes to Evangelion. Hideaki Anno has decided to “rebuild” the Eva series into 4 movies. The first has already been released and the second comes out in May in Japan, but it’s pretty clear that the changes that have been made to Evangelion are huge. Fans of the series and those new to Eva can both enjoy this re-envisioning of the Eva series.

Well, that’s it for now. I have other shows that I’d like to talk about so maybe I’ll do another one of these. Lost will be wrapping up soon and I plan on writing a review of the series and reactions to the finale, so you can look forward to that.

The Death of Net Neutrality.

Today marks a sad sad day for the internet and those that love the freedom of the internet. Comcast, the United States largest cable and internet service provider, won a critical case in the US Court of Appeals against the FCC that sets a precedence that essentially kills Net Neutrality.

What is “Net Neutrality”? Well, it’s the idea that anyone who pays for internet access, are paying for the same internet. Connection quality will vary, but no matter what, everyone is accessing the same internet content. So, if this strikes the death-nail for Net Neutrality, what does that really mean?

Imagine a tiered internet package plan. You have a “basic”, “advanced” and “premium” internet services. Your “basic internet plan” could be about what you pay now for Comcast internet serivces ($19.99/month to start), not so bad, right? Well, your “basic” plans are structured so you’re not using a ton of bandwidth, that means bandwidth hogs like YouTube, Netflix, and Pandora or Last.fm become inaccessible. If you want to visit high bandwidth sites, then you would have to buy the “advanced” plan for, say, $42.95/month. So, now you can watch YouTube and Netflix and listen to streaming music again. Oh happy day! But, what about playing games over the internet? I mean, some games pull down a heck of a lot of traffic, plus what if you need to download it from Steam? That’s gigs worth of bandwidth! Well, Comcast has a plan for you too! At the low low price of $52.95/month!

But what about Skype you ask? Well, I have some bad news. Cable companies provide phone services and for years now Skype and other VOIP services have been cutting into their profit, so they’ve been looking for any reason at all to block or ban the service from their ISP, and now they can. You can also say goodbye to Torrenting.

Now, obviously nothing like this currently exists, but a precedence such as this open the road for Comcast to control how data is handled on their network in such a way that is almost guaranteed to hurt consumers. Our community has been affected by this already with certain regional Comcast providers blocking ports and content that affects the PlayOnline viewer’s ability to establish and maintain a connection to the servers and it seems as if those users that have these problems aren’t likely to see a solution anytime soon.

So I know what you’re thinking, what can we do Aniero? Well, first you can educate yourself and sign the petition to the FCC to protect Net Neutrality at SaveTheInternet.com. Keep up on what Comcast is doing at Comcast Watch. I also recommend expressing yourself on G4 TV. G4, the “popular” video game/internet culture TV channel, is owned by Comcast. Write their shows, write their editors, post on their forums, and tell them “this is not OK!”

Fortunately, the fight isn’t over yet. There are web giants like Google and News Corp that provide services that consume high amounts of bandwidth, and they won’t go quietly into that dark night. Please, educate yourself on this very important struggle, it affects you in more ways then you know.

Spread this article! Link it, Facebook it, Tweet it, just share it. Tell anybody, tell everybody! The buttons at the bottom of this post actually work! Use them! If you don’t, who will?

This post was also posted to Limit Break Radio

So, aparantly, rumors have been circling that Final Fantasy XI will close its servers in 2010 to make way for Final Fantasy XIV.

Which is ridiculous.

If you ignore the fact that Final Fantasy XI’s profit margin exceeds 50% (pg 4), if you ignore the fact that new MMO titles are not a guaranteed success (EverQuest vs EverQuest II), and if you ignore the fact that Square-Enix is busily preparing a live event based around FFXI, with FFXIV info being secondary, and the promise of big announcements in store for Final Fantasy XI, AND if you ignore the fact that the Wings of the Goddess expansion isn’t even finished yet! Well, then you have every right to believe this asinine rumor.

But, maybe, you need official confirmation from Square-Enix to believe that FFXI servers will be up and running long into the 2012 apocalypse. Well, have no fear! Today, Kotaku reported that Yoichi Wada (That’s SE’s head honcho folks!) issued a statement over Twitter saying “There seems to be a rumor that FFXI is ending, but if that was done, we’d be in trouble.”

I must say how encouraging it is to see social networking being utilized by Square-Enix! These are the people we want to hear statements like this come from. I’m sure those that had their faith waiver are steadied by this statement of the complete obvious. While the rest of us are looking at you with the same reaction…

/facepalm

Click Here to check out the article from Kotaku

Help Save Radio!

Look. You know I don’t like to get political. Politics are very serious and I like to keep things, for the most part, pretty lighthearted around here.

But, I come to you now and ask for a moment of you time and attention to explain something very very important. As I’m sure most of you realize by now, radio is my life. It’s how I make a living, it’s what I love to do, I live it, breathe it, I eat, sleep and drink radio.

Well folks, radio is under attack at the moment. We need you to Help Save Radio!

The big international record companies are asking Congress for a handout (H.R. 848), and as a part of that bill they are proposing a “performance tax” that would force radio stations to start paying for the songs they play.

Why is this a bad thing? Wouldn’t it get artists more money? NO! It would get the record companies more money. Why would we want to give anymore money to companies that underpay and overwork artists as is? Why should we give anymore money to an industry that turned a blind eye to this new emerging technology called “the internet” and as a result has seen a 24% drop is CD sales since 1999? It’s been 10 years and they still haven’t got it!

So now, since the the music industries business plan of doing nothing for the past decade hasn’t panned out so well, they’ve gone another route. Instead of dealing with the massive mistake they made, they’re trying to squeeze money out of radio. See, here’s the thing though: radio doesn’t make any money from the music they play. They make money from advertising revenue, a monitory source that has been slowly drying up for broadcasters in the past few years.

So, what this actually mean? Well, if the bill passes it would mean that radio stations wouldn’t be able to afford to air music and the ones that could would have an even more limited selection. While I love radio I am also critical of it, and I do think radio programming needs to be more creative and inventive, but severing the connection that listeners have to music is just criminal.

There need’s to be an emphasis on localism in radio, that much is clear. Stations that just have a computer playing songs on shuffle and have no live DJ, those are stations that could bite the dust and I wouldn’t even bat an eyelash. But for each of those stations there is a good local radio station with a full staff that works everyday to entertain you.

Greater Media has put together a website to help all of us become educated on the proposed Performance Rights Act. Check out Help Save Radio to learn how you can get involved and keep local radio an active and vibrant part of your community.

Links:
Help Save Radio website
Educate yourself
Sign the petition
Get involved

OK, so when I see a link in a blog post, I’m usually inclined to click it. Why? Because I know one of two things will happen. I will either learn something or see something hilarious. So, keep that in mind with this review of Sanctuary the new album from The Star Onions.

When I first heard about this album at FanFest 2008 I was really excited, because I really enjoyed The Star Onions first album, Music From The Other Side to Vana’diel. For those of you who are unfamiliar with this band they are comprised of several Square-Enix composers including Naoshi Mizuta, Kumi Tanioka and Hidenori Iwasaki. They blend jazz with synthesizers and bring Final Fantasy XI music to life in a way that is profoundly beautiful and moving.

The new album, Sanctuary, contains 11 stellar tracks done up in the fashion that only the Star Onions can deliver. Across these 11 tracks are songs from almost every expansion, including Wings of the Goddess and Treasures of Aht Urghan, and all the tracks have a varied sound from what The Star Onions deliver on their first album. Some track are very upbeat and pleasant to listen to and other tracks can be downright hauntingly dark. But all tracks are superb in their structure, timing and instrumentation, while at once being true to the original music and also being distinct and unique.

Much of this album reminds me of the work of Chick Corea particularly his work with the Elektric Band. Specifically the track Griffons Never Die is very much a throwback to that brand of jazz fusion. Other parts of the album remind me of something I would hear in Cirque Du Soleil, which is a compliment. With Sanctuary The Star Onions have added an accordion to their instrumentation which adds to the Cirque feel, but also brings a unique and attractive tenor to the mix. Fighters of the Crystal is very much in this style.

There are some tracks that really stand out on this record. Rapid Onslaught – Assault reminds me of a lot of the music in another Square game, Chrono Cross, especially with the great violin on that tune. Xarcabard is a dark haunting track with a cello that really captures the essence of that cold cruel wasteland. It sounds like it would be right at home on Twin Peaks or Dark Night of the Soul or some other David Lynch project.

Gustaberg strikes a special places in my heart, being a Bastokian, it hearkens back to the time when I had just started this game and was learning my way around Gustaberg. The Star Onions also do a version of Distant Worlds. The Black Mages did a version of Distant Worlds on their most recent album, and the Star Onions do the song justice just in a completely different way.

Where can you get this album? From the iTunes store! This is a great option because the iTunes store has reformatted their audio files to be DRM free .MP3s, meaning if you’re like me and own something other than an iPod, you can use these on your portable MP3 player without a problem! I highly recommend downloading iTunes now and getting this album!

G4: Are You F%&King Kidding Me?

Look, it’s no secret that G4 completely misses the mark when it comes to nailing their target demographic. With such botched programming like “The Whip Set” and horrendous re purposing of garbage TV like “COPS” or “Cheaters” it’s pretty clear that G4 has absolutely no idea who their audience is, much less how to speak to them.

And why would they? They are run by one of the most underhanded media companies on the planet. Final Fantasy XI players shudder when they hear the name. I am, of course, talking about Comcast! Ah, yes Comcast, how can I forget you? Pardon me folks, as I reminisce about the good ol’ days, where I could be assured that I would see a red dot next to my name at least once every ten minutes (indicating a connection problem and inevitable disconnection). I miss the days of spending long tracks of time on the phone with customer service agents trying to resolve my problem so I can at least connect to the damn game I pay $12 a month for only to be told that the problem must be on the server end. Boy, was I surprised to discover (ha, sarcasm) that, in an attempt to stop file sharing and torrent transfers, Comcast has been secretly blocking ports and bottle necking connections, effectively disenfranchising gamers who have trouble connecting to game servers as a result of their decision to violate net neutrality!

Isn’t strolling down memory lane fun? Back to my point, how can a company that clearly undermines gamers on such a fundamental level as to provide an internet service that essentially cripples the functionality of many games, try and be the public media face for gamers? Well the answer is stupidly simple, because they don’t represent gamers. They don’t respect gamers or the gaming industry. Hell, they hardly employ gamers! The only person I can relate to, much less respect, at this network is Adam Sessler. That poor guy should have jumped the sinking ship with Digg.com’s Kevin Rose! I mean, really, Kristen Holt?! Yeah, I’m going to take gaming tips from a former Dallas Cowboys cheerleader. Look, my point here is this network puts on a big facade and tries to convince its viewers it has their best interests in mind, when in reality this is a TV channel. Their bottom line is money.

One of the few things I actually liked that came from G4 was The MMO Report despite my frustration with their lack of coverage related to Final Fantasy XI. Well folks, tonight I saw a segment on the MMO report that sparked my nerd rage!

At 4:42 the shows stand in host, John Walsh, begins discussing news that is nearly a month old to all of Final Fantasy XI fans. I am, of course, referring to the financial statement that Square-Enix released stating that they are at work “developing their post-FFXI flagship title”. Get ready to cringe because even before discussing the old news the host launches into a slew of insulting, demeaning and derogatory terms aimed at fans of Square-Enix.

Way to be quick on the uptake guys! This news is not only insanely OLD but totally useless information. We’ve known that Square-Enix has been developing Rapture for quite some time, or did you forget about the Crystal Tools tech demo that showed off the new MMO? Yeah, as far as I remember SE hasn’t said anything about killing that project, so what’s the point of your little segment here, MMO Report?

I’m sure some of you out there are wondering “Aniero, why can’t you take a joke?” I can take jokes that are funny, and I’ll be the first one to laugh at myself. But this isn’t funny, because it’s not just Square-Enix fans that Comcast undermines. Simply put, this network gives the American gaming press a miserable reputation. They just want to corner the market on an untapped television demographic and sell ad time to the very companies they like to make fun of. No wonder Square-Enix has such a negative view of the American gaming press, and I don’t blame them for putting their advertising money into everything but American media.

Thank god that this network is beginning to crumble. Good riddance to bad rubbish I always say. I can only hope that Comcast will be next!

I will be writing the MMO report (TheMMOReport@g4tv.com) to express my dissatisfaction with their marginalization of Square-Enix fans, and, if this article has struck a chord with you, I invite you to do the same. I’ll also be writing my local cable operator to pull G4 from their basic cable subscription package. I don’t want a corporation that fundamentally undermines gamers to try and represent me. I can speak for myself. I have my own voice!

Use yours.

-Aniero


Did You Know? We Are The Future

As I’m sure some of you already know I am a broadcaster as well as a podcaster. So, I will, from time to time, keep an eye on emerging and shifting trends in media. This very interesting video was shown at Radio Ink Convergence 2009 conference and shows just how fast not only the internet but technology in general has been growing and will continue to grow.

What does this mean? Well, nobody knows just quite yet. I envision a future where all media is primarily internet based and with bandwidth capabilities expanding at the rate that it is streaming technology will be able to produce even better, faster, and more efficient high definition picture. Soon, we’ll have a coast to coast wireless network signal that in-dash car stereos will be able to tap into. Imagine: setting the LBR RSS feed to your car so that new shows will be downloaded and waiting for you the next time you sit down to take a drive. Or, being able to stream RadioXI in your car! The possibilities are growing by the day!

Podcasting is a relatively small trend that is growing all the time. We are the early adapters. Someday, podcasts could rival the radio industry. Podcasts could easily adopt a advertising based business model and provide companies with worldwide advertising, or develop a subscriber based business plan where profits are driven by subscriber dues. Or hell, a combination of both!

This much is clear: the world is shrinking, media is more accessible then ever to the point where we the audience are now making the media. Not only is the audience now making the media, we’re doing a better job then the large media conglomerates, by being able to fill fine niche markets with specialized and focused content. As more options become available potential audience numbers decrease effectively splintering what was once a large audience with broad varied tastes to a very segmented and highly defined and focused audience.

New media resources are going to become very valuable once the advertising world catches on to these new forms of media and the mew media market will (finally) be flooded with capital. I’ve often wondered if being a podcaster could one day lead to a sustainable future career that I could support a family on and this evidence emphatically points to yes!

The future of media is always hard to predict, but the music, movie, television, print and radio industries have, up until a couple of years ago, thought of the internet as something that wouldn’t affect them, or at least wouldn’t affect the as quickly or drastically as it has, and now all these old media people are scrambling frantically to get their act together and save their industry. Will they? That remains to be seen, and it’s going to be a large challenge. Media has never faced a shift quite like this, but it’s going to have to get with the times, ’cause, as to quote Bob Dylan “The times, they are a-changin’”.

A Worldwide Following: CM-Life article

Recently, we had the distinct pleasure of being interviewed for a feature article in our college’s newspaper, CM-Life. Originally, the article was going to be somewhere around 300 words, but the interview ended up being about an hour long!

We didn’t exactly think it was going to make the front page of the ‘Lifeline’ section of the paper, much less take up the entire front page! We had a lot of fun talking about the history and behind the scenes at LBR. We want to thank Eric Joyce at CM-Life for taking the time to come talk with us, and writing such a great article!

By the way, I should mention that the gear in the picture is most of the gear that our Star Breakers have allowed us to purchase, specifically the mixing board and the laptop! So, thank you Star Breakers!

We’re working on getting the audio recording from the article interview itself, and that will be available to Star Breakers first then released later on our RSS Feed. We were also interviewed by Brad Canze, the editor of Lifeline for CM-Life for their own podcast to accompany the article.

To check out the CM-Life article at their website Click Here!

To check out the .PDF of the actual article then Click Here!

To check out our interview with Brad Canze on the CM-Life Podcast then Click Here!

To check out Eric Joyce’s blog Video Game Freedom then Click Here!
(Make sure you vote in the Video Game Freedom poll! Current poll: Are you a fan of Limit Break Radio?)

Thanks again to Eric Joyce, Brad Canze and CM-Life for taking interest in what we do!